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Room in New York (1932): Discovering Emotional Distance Through the Eyes of Edward Hopper

Room in New York (1932): Edward Hopper, an American realist painter was one of the most intriguing artists of the

Sukanya Dikshit Sukanya Dikshit

The India Edwin Lord Weeks Saw- Sunlight, Dust, and the Poetry of Everyday India

The first time I came across Edwin Lord Weeks' paintings of India, I wasn't looking for history. I was looking

Hrishikesh Patel Hrishikesh Patel

The Loneliest Woman in Paris-A Bar at the Folies-Bergère (1882)

INTRODUCTION Édouard Manet's A Bar at the Folies-Bergère (1882) is widely regarded as his final masterpiece — and one of

Naveen Gupta Naveen Gupta

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The India Edwin Lord Weeks Saw- Sunlight, Dust, and the Poetry of Everyday India

The first time I came across Edwin Lord Weeks' paintings of India,

Hrishikesh Patel Hrishikesh Patel

The Loneliest Woman in Paris-A Bar at the Folies-Bergère (1882)

INTRODUCTION Édouard Manet's A Bar at the Folies-Bergère (1882) is widely regarded

Naveen Gupta Naveen Gupta

A Garden of One’s Own: Down Below (1940) — Leonora Carrington

Leonora Carrington: As Virginia Woolf once said, “A woman must have money

Sukanya Dikshit Sukanya Dikshit

This Is Not An Analysis Of René Magritte – A Look At Lovers II (1928), Clairvoyance (1936) and Other Works

“Nothing is confused, except the mind.”                                                        – René Magritte Sometimes a movie

Sukanya Dikshit Sukanya Dikshit

Mark Rothko & Music (1903-1970)

Mark Rothko: When a misunderstood artist enters his studio to splatter some

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Room in New York (1932): Discovering Emotional Distance Through the Eyes of Edward Hopper

Room in New York (1932): Edward Hopper, an American realist painter was one of the most intriguing artists of the

The Tragedy of Seeing Through the Artist in Soir Bleu (1914) by Edward Hopper

Soir Bleu: You are set to deliver a performance you had been losing sleep over for months. You get ready

This Is Not An Analysis Of René Magritte – A Look At Lovers II (1928), Clairvoyance (1936) and Other Works

“Nothing is confused, except the mind.”                                                        – René Magritte Sometimes a movie is just a movie, a poem is just

Puberty and the Male Gaze : A Look into the Unpleasant Adolescence in Edvard Munch’s Puberty (1895)

Puberty by Edvard Munch: Edvard Munch (1863-1944) a Norwegian painter from Löten, painted at the age of 32, a portrait

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Room in New York (1932): Discovering Emotional Distance Through the Eyes of Edward Hopper

Room in New York (1932): Edward Hopper, an American realist painter was

Sukanya Dikshit Sukanya Dikshit

Puberty and the Male Gaze : A Look into the Unpleasant Adolescence in Edvard Munch’s Puberty (1895)

Puberty by Edvard Munch: Edvard Munch (1863-1944) a Norwegian painter from Löten,

Sukanya Dikshit Sukanya Dikshit

Sumair (1936) : A Dive into the Fragility of Human Emotions Through the Idea of Waiting  in Amrita Sher-Gil

The Slow Burn of Waiting in Sher-Gil Sumair: Waiting is a treacherous

Sukanya Dikshit Sukanya Dikshit

Devouring Reason – Saturn Devouring his Son (1823) by Francisco Goya

Life of Francisco Goya Saturn Devouring His Son: Francisco Goya (1746-1828) was

Sukanya Dikshit Sukanya Dikshit

This Is Not An Analysis Of René Magritte – A Look At Lovers II (1928), Clairvoyance (1936) and Other Works

“Nothing is confused, except the mind.”                                                        – René Magritte Sometimes a movie

Sukanya Dikshit Sukanya Dikshit

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